i was the shit remix 2.0 by Daj': A Second Rework and the Code Black Link
·6 min read·music·music-drip desk
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i was the shit remix 2.0 by Daj': A Second Rework and the Code Black Link

DAJAI StewartMusic & Catalog Editor · Code Black@SuperCoolDaj

Daj' reworked i was the shit a second time for this 2.0 remix, 141 plays on SoundCloud. Why an artist who files stems as IP under Code Black expects remixes.

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DSP / Owned Links

| Destination | Link | |---|---| | SoundCloud | Play | | DAJAI Track Page | Open | | Artist | SoundCloud dajai-io · supercooldaj · Apple Music |

"i was the shit remix (peez daj) 2.0" is a Daj' upload that announces three things in one line: it is a remix, it is a second version, and it carries the name "peez" next to "daj" in the parenthetical. It is on SoundCloud with 141 tracked plays and 0 likes, with no release date stated and no album attached.

Remixes are where independent artists show off how they think. Rebuilding a song, or rebuilding it twice, says the first take was not the last word. This page reads what the title gives, keeps away from what it does not, and uses the record as a door into Code Black, the brand that holds a big part of the Daj' world together.

Remix, then remix again

The phrase "i was the shit" is the title, and it is the kind of line built for a hook: past tense, boastful, a little nostalgic. The "remix" tag means this is a reworked version of an earlier song, and "2.0" means this is at least the second pass at that rework. The track data does not include the original, so this page cannot tell you what changed between versions. That comparison is yours to make if you can find the earlier file.

The "(peez daj)" parenthetical is the most interesting part and the least explained. It reads like a credit for two people, but the data does not say who peez is or what role that name played, so this page will not assign one. No feature, producer or sample is listed beyond what the title spells out.

Lowercase and unfinished on purpose

Like several Daj' uploads, this one is titled entirely in lowercase. That style shows up mostly on working versions and loose singles, while the named releases (Tax Season, Heavy, Still Backie, Prczn and the rest) get proper capitalization. Seeing a lowercase "2.0" remix in the open is a reminder that the catalog is an archive of the process, not only a shelf of final products.

Code Black and the idea of owning the parts

Here is the empire context. Code Black Associates, usually shortened to CBA, is the athletics and culture brand in the Daj' orbit. It is not only a name on merch. When DARK I - Outwitting the Devil came out on 2026-04-07 as Volume I of the DARK Library, its stems were published as IP under Code Black CBA. In plain terms, the individual building blocks of the album, the vocal and instrument tracks underneath the finished mix, were treated as property held by the brand.

That connects straight back to a remix like this. A remix exists because someone has access to the parts of a song and decides to rebuild it. An artist who files his stems as IP is an artist who expects his songs to be rebuilt, reworked and reused, and who wants the ownership straight before that happens.

Ownership on the writing side too

The same instinct runs through publishing. The MLC public search at portal.themlc.com lists 47 works registered under DANIEL DAJAI STEWART-HANDY, every one at 100% Total Known Shares. Distribution is direct through UnitedMasters or CDBaby, which deliver the music without owning it. This page does not claim this remix is one of the 47 registered works. It is simply part of a catalog run by someone who keeps the paperwork clean.

Why second remixes are worth hearing

A first remix is often an experiment. The producer tries a new tempo, a new drum pattern or a new mood and sees what happens. A second remix is a decision. It means the first experiment showed something worth chasing, and the artist went back to push it further.

That is the useful way to approach this 2.0. Treat it as the answer to a question the first remix asked. Even without the earlier file in front of you, you can listen for signs of a version that knows what it wants: a beat that commits to one idea, a vocal that sits where it belongs, nothing left in the mix out of habit. Those are the marks of a rework that has already been through one round of trial and error.

Where to play it

The track is on SoundCloud only. Look it up as "i was the shit remix" on the @dajai-io profile, or use the player linked here. The count at the time of writing is 141 plays and 0 likes.

If you know the original version, play that first and then this 2.0. A remix only really makes sense next to the song it came from, and the gap between them is where the producer's choices show up.

FAQ

How do I listen to i was the shit remix (peez daj) 2.0?

i was the shit remix (peez daj) 2.0 streams on SoundCloud right now, and the i was the shit remix (peez daj) 2.0 page on dajai.io tracks each live i was the shit remix (peez daj) 2.0 link.

Who recorded i was the shit remix (peez daj) 2.0?

i was the shit remix (peez daj) 2.0 is a Daj' record from his independent, self-published catalog out of Las Vegas.

Does i was the shit remix (peez daj) 2.0 belong to an album?

i was the shit remix (peez daj) 2.0 stands as its own catalog entry rather than part of a named album.

Track Intel

| Field | Value | |---|---| | Title | i was the shit remix (peez daj) 2.0 | | Artist | DAJAI | | Album / context | Single | | Plays (tracked) | 141 | | Catalog likes (if any) | 0 | | Source desk | DAJAI sovereign catalog | | Release | n/a |


Filed by DAJAI Stewart · Music & Catalog Editor · @SuperCoolDaj · MUSIC DRIP DESK

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