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DSP / Owned Links
| Destination | Link | |---|---| | SoundCloud | Play | | DAJAI Track Page | Open | | Artist | SoundCloud dajai-io · supercooldaj · Apple Music |
Most uploads in the Daj' catalog live on one playlist. i was the shit remix (peez daj) 2.0 lives on three. The @dajai-io SoundCloud page files it under "Collabs & Features", "Final Mixes - Highlights" and "Final V3 Masters - Vol II" at the same time, with 7 tracked plays, 0 likes and a release date of 2026-05-19. The project label is "DAJAI Masters 2026-05-18", the mastering batch that went public the next day.
Triple filing is the story here. A record that gets shelved in three places is a record the catalog considers useful from three directions, and following those directions is a quick way to learn how this discography is organized. This page takes each playlist in turn, reads what "2.0" and "V3" mean when they sit on the same record, and explains why the dajai.io key for this upload ends in a number.
Collabs & Features: the cast
The parenthetical "(peez daj)" names two participants, and the "Collabs & Features" playlist confirms the catalog treats this as a joint record. The data stops there. It does not say who rapped, who produced, or who built the remix, and this page assigns nothing. What it does establish is that the record belongs to the set of Daj' songs made with other people, and that set has its own shelf. For a new listener, that shelf is the fastest way to hear how the artist sounds when he is sharing a record instead of carrying one alone.
Final Mixes - Highlights: the pick
The second playlist is a selection, not a storage bin. "Highlights" means somebody chose this record out of a larger pool of final mixes. For a listener trying to find a way into a catalog of 14030 SoundCloud tracks, a highlights list is the shortcut the artist built for you. That this particular remix made the cut is the closest thing to an editorial note the catalog offers, and it is worth more than the play count, because it reflects a decision rather than traffic.
Final V3 Masters - Vol II: the version
The third placement is the most technical. "Final V3 Masters" says the mastering pass on this batch was the third version, and "Vol II" says the playlist is the second volume of records that came through it. Put that next to the "2.0" in the song title and you have two separate version counters on one record: the song itself is at least the second pass of a remix, and the master is the third pass of a mastering run. Neither counter is explained further in the catalog, and this page will not describe what changed between versions. The point is the habit. Versions get numbered, kept, and shelved rather than overwritten.
Why the key ends in a number
The dajai.io track page for this upload has a key that ends in "-3". That is how this desk marks a title it has indexed more than once, because the catalog holds more than one upload under the same name. A remix that exists in several copies is consistent with everything else on the page: a working file that was saved, revised and re-uploaded rather than finalized once. If you find another copy on the @dajai-io or @supercooldaj handles, the two are separate real uploads, which is also why the catalog's play totals are summed across the handles instead of merged.
The ledger behind the versions
Here is the public context a versioned, collaborative remix teaches well. When a song exists in multiple passes with more than one name on it, ownership has to be written down somewhere or it gets lost. Daj' (DAJAI Stewart, pronounced "DJ") has 47 works registered with The MLC under the writer name DANIEL DAJAI STEWART-HANDY, each at 100 percent Total Known Shares, checkable through the public search at portal.themlc.com. This page does not claim this remix is among the 47. It points out that an operation which keeps its publishing at full known shares is the kind of operation that also keeps three playlists and two version counters straight.
The distribution side is direct. Releases go out through UnitedMasters or CDBaby depending on the project, with no label in between, from a home base in Las Vegas, Nevada. That independence is what makes triple filing possible at all. Nobody outside the operation decides which shelf a remix belongs on.
Listening data
The record is on SoundCloud, and the catalog lists no other surface. It shows 7 tracked plays and no likes as of this writing. Reach it from the @dajai-io page, from any of its three playlists, or from the dajai.io track page, which embeds the same upload.
The three playlists also give you three different ways to hear it. In "Collabs & Features" it plays next to other joint records. In "Final Mixes - Highlights" it plays next to the catalog's chosen cuts. In "Final V3 Masters - Vol II" it plays next to the rest of its mastering batch. Same file, three contexts, and each one changes what you notice.
FAQ
What does "2.0" mean in the title?
It marks this as at least the second version of the remix. The catalog does not include the earlier pass, so this page cannot say what changed.
Why is the record on three playlists?
The @dajai-io page files it as a collaboration, as a highlighted final mix, and as part of the third-version mastering batch. Each playlist answers a different question about the record.
Who is peez?
The title names peez alongside daj and the catalog files the record under "Collabs & Features". No role is specified, so none is assigned here.
Where can I stream it?
On SoundCloud only, through the @dajai-io handle, its three playlists, or the dajai.io track page.
Track Intel
| Field | Value | |---|---| | Title | i was the shit remix (peez daj) 2.0 | | Artist | DAJAI | | Album / context | Single | | Plays (tracked) | 7 | | Catalog likes (if any) | 0 | | Source desk | DAJAI sovereign catalog | | Release | 2026-05-19 |
Filed by DAJAI Stewart · Music & Catalog Editor · @SuperCoolDaj · MUSIC DRIP DESK