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DSP / Owned Links
| Destination | Link | |---|---| | SoundCloud | Play | | DAJAI Track Page | Open | | Artist | SoundCloud dajai-io · supercooldaj · Apple Music |
My Glock arrived on 2026-06-19 as a Fable5 Master, standalone, 151 tracked plays. It is a hard title in a catalog that is administratively one of the most organized independent operations you will find, and the more useful question is not what the title promises but where a record like this actually lives.
Because this catalog does not live in one place. It runs across two separate accounts, and understanding that split is the difference between reading the numbers correctly and getting them badly wrong.
Two Handles, Not One Account And A Mirror
The Daj' catalog operates through @dajai-io and @supercooldaj. Those are not a primary and a backup. They are not the same uploads posted twice for redundancy. They are separate real accounts holding separate real uploads.
That distinction decides how you are allowed to do the arithmetic. If two accounts held mirrored copies of the same songs, adding their play counts together would be double counting, and any total built that way would be inflated fiction. Because these hold distinct uploads, the counts are legitimately summed rather than compared and discarded.
Getting this wrong in either direction produces a lie. Summing mirrors overstates. Taking only the larger account and calling it the whole picture understates by a wide margin. The structure has to be understood before the number means anything.
The Actual Split
Of the roughly 9.39M cumulative deduped plays across the Daj' catalog, about 8.42M sit on @supercooldaj and about 0.86M sit on @dajai-io.
That is a lopsided distribution, and it is worth saying plainly rather than smoothing over. One account carries the overwhelming share of the listening history. The other is a real operation with real uploads and a fraction of the traffic.
There is nothing embarrassing in that. Accounts accumulate at different rates depending on when they started, what got posted to them, and what happened to catch. Publishing the split instead of only the headline total is what makes the headline total checkable. A number nobody can decompose is a number nobody should believe.
Where This Record Sits In All That
Against 14,030 tracks, My Glock at 151 plays is a single grain. That framing is not a knock on the record. It is the honest scale of what a deep catalog does to any one entry inside it.
The upside of that depth is that nothing has to carry the whole operation. There is no make or break release here, no single upload whose performance decides whether the year worked. A record can go up, find a hundred and fifty one people, and that is a complete and acceptable outcome rather than a failure to be explained away.
The downside is discovery. Fourteen thousand entries is more than anybody browses. Records surface through somebody linking them, somebody's listening history pulling them up, or somebody deliberately going digging. A title this blunt at least has the advantage of being memorable once seen.
Titles That Do Not Match The Filing Cabinet
There is an assumption that an artist working in this vocabulary is running a loose operation. This one is not. Distribution runs direct through UnitedMasters and CDBaby depending on the release, with no label intermediary. The album work is organized into a stated multi-volume cycle. The stems from Volume I were published as owned intellectual property under Code Black CBA.
None of that is visible from a title like My Glock, and it is not supposed to be. Rap has always run a wider vocabulary than the business behind it. Assuming the subject matter describes the operator is a mistake people have been making about this genre for forty years.
The record is what it is. The structure underneath it is separately documented, and both things are true at once.
How To Hear It
The short version for anybody who only wants the numbers: one date, one surface, 151 plays, and a catalog around it that has been counted carefully enough to survive somebody checking it.
My Glock is on SoundCloud. That is the only surface to name for this specific record.
If you want the fuller picture afterward, go across both handles rather than one. @supercooldaj holds the bulk of the listening history and @dajai-io holds a separate body of uploads, and the catalog only reads correctly when you have looked at both.
FAQ
How do I listen to My Glock (Fable5 Master)?
SoundCloud has My Glock (Fable5 Master) up, and dajai.io keeps a My Glock (Fable5 Master) page with the current My Glock (Fable5 Master) links.
Who is the artist behind My Glock (Fable5 Master)?
My Glock (Fable5 Master) came out of Daj' (DAJAI)'s own Vegas setup - self-written, self-recorded, self-mastered.
When did My Glock (Fable5 Master) come out?
2026-06-19 is the release date on file for My Glock (Fable5 Master).
Is My Glock (Fable5 Master) part of a larger project?
In the catalog, DAJAI.IO Uploads 2026 is where My Glock (Fable5 Master) lives.
Track Intel
| Field | Value | |---|---| | Title | My Glock (Fable5 Master) | | Artist | DAJAI | | Album / context | Single | | Plays (tracked) | 151 | | Catalog likes (if any) | 0 | | Source desk | DAJAI sovereign catalog | | Release | 2026-06-19 |
Filed by DAJAI Stewart · Music & Catalog Editor · @BackieDaj · MUSIC DRIP DESK