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DSP / Owned Links
| Destination | Link | |---|---| | SoundCloud | Play | | DAJAI Track Page | Open | | Artist | SoundCloud dajai-io · supercooldaj · Apple Music |
Sprinkle Me, Pt. 2 is a Daj' record produced by NoLimitAustin, uploaded to the @supercooldaj SoundCloud handle. It runs 160.87 seconds and has 2,644 plays against 55 likes.
That last number is the reason this one deserves its own page. Fifty-five likes is an order of magnitude above what almost everything around it in the same play range receives, and engagement ratios are one of the few honest signals an independent catalog produces.
Fifty-Five Likes on 2,644 Plays
Work the ratio and it comes to roughly one like for every forty-eight plays, a little over two percent. For context inside the same catalog, files sitting at comparable play counts routinely carry zero, one, two or three likes. A two percent like rate on a deep catalog upload is not a rounding artifact. It is people deciding to mark the thing.
The like button is a low-cost action, which is exactly why it is informative when it clusters. Nobody is pressing it out of obligation on a SoundCloud loosie from an independent artist. They press it because they want the track findable again in their own favourites, or because the record did something they wanted to acknowledge.
None of that proves quality in any objective sense, and this page is not going to pretend otherwise. What it establishes is that among a group of uploads with nearly identical reach, this one converted attention into a deliberate action at a much higher rate.
It Is a Part Two
The title declares a sequel. That is a claim about catalog structure, not about content, and it sets up an expectation the listener can check: somewhere there was a first one.
Sequel titling in rap does a few jobs at once. It signals that the original connected well enough to be worth returning to. It gives a returning listener a reason to compare. And it quietly asserts continuity in a body of work where most individual uploads have no stated relationship to each other at all.
What this page will not do is describe the original, assign it a date, or claim how the two relate musically. None of that is in the public record attached to this file. The sequel title is a fact. What it is a sequel to is left for the listener to trace.
The Most-Credited Name in the Producer Column
NoLimitAustin is not an occasional collaborator. Sweep the catalog for that name and it appears across more than three hundred distinct title strings, a figure that includes alternate versions, remixes, video edits and master variants alongside the primary uploads. Even discounting the duplicates heavily, the producer sits at the centre of a very large share of the work.
The catalog's biggest entries by play count include NoLimitAustin credits. That matters for reading a file like this one: a record at 2,644 plays produced by the same person responsible for entries several hundred times larger is not a case of an artist working with whoever is available. It is a long-running working relationship that spans the full range of the catalog, from the pieces that travelled to the pieces that did not.
A producer credit in the title is also a small act of record-keeping. It is visible attribution on the upload itself, which survives independently of whatever metadata a platform does or does not carry.
A Loosie, Not an Album Cut
This file is not attached to a stated album or project. It sits in the part of the catalog where most of the work lives: individual uploads, released on their own terms, with no rollout attached.
That tier is where an artist with 14,030 SoundCloud tracks actually operates. An album is an event. A loosie is a Tuesday. The economics differ completely, and so does the listening behaviour, which is why a like ratio on a non-album upload carries more information than the same ratio would on a single with promotion behind it. There is no campaign inflating the top of the funnel.
At 160.87 seconds the record runs two minutes forty-one, which puts it in the compact range where most of this catalog lives.
How to Hear It, and What Is Not Known
Sprinkle Me, Pt. 2 is on SoundCloud. There is no feature credit, no stated release date, no sample attribution and no public lyric text. The producer is named in the title and nowhere else in the available data.
What can be verified is the shape of the thing. A 160.87-second record, produced by the catalog's most frequently credited producer, uploaded outside any album cycle, sitting at 2,644 plays with 55 likes, which is a materially better engagement rate than its neighbours.
The operation behind it is independent and runs from Las Vegas, Nevada, with distribution handled direct rather than through a label intermediary.
If you are looking for a way into a catalog this large, the tracks where a small audience reacted disproportionately are a better entry point than the ones with the biggest raw numbers. On that measure, this is one of the strongest signals in today's set.
FAQ
How do I listen to Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin)?
Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) streams on SoundCloud right now, and the Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) page on dajai.io tracks each live Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) link.
Who made Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin)?
Daj' (DAJAI) wrote, recorded, and mastered Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) himself, independent out of Las Vegas.
Is Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) part of a larger project?
No album run claims Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) - it holds its own slot in the catalog.
Track Intel
| Field | Value | |---|---| | Title | Daj' - Sprinkle Me, Pt. 2 (Prod. NoLimitAustin) | | Artist | DAJAI | | Album / context | Single | | Plays (tracked) | 2,644 | | Catalog likes (if any) | 55 | | Source desk | DAJAI sovereign catalog | | Release | n/a |
Filed by DAJAI Stewart · Music & Catalog Editor · @BackieDaj · MUSIC DRIP DESK